While I didn't set out to make paintings about the crashing of the economy, the paintings from the first half of 2009 have certainly reflected it.
These empty hallways have a story to tell. Their pictures within converse with each other, simultaneously pulling you in and pushing you out. There is a purposeful 'kookiness' to them with their distorted perspective and loose rendering a mild affront to 'civilized expectations'.
Of course, on another level they are continued explorations of picture plane and color theory.
Sunday, May 31, 2009
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